Friday, 19 April 2024, 6:42 AM
Site: International Fine Art Academy
Course: International Fine Art Academy (International Fine Art Academy)
Glossary: Fine Art Glossary
M

machicolation

In the architecture of castles, an opening in the floor of an overhanging gallery through which defenders dropped stones and boiling liquids on attackers.

macramé

Long cords knotted to form a pattern. This is an old craft revived to great popularity in the 1960s and 1970s.

maculate

 Spotted; stained; blotched. Or, defiled; impure. The opposite of immaculate.

magenta

color also known as fuchsia and hot pink; a moderate to vivid purplish red or pink, named after the town ofspheres of cyan, magenta, yellow, and blackMagenta, in northwest Italy. Magenta is one of the four colors in the four color process for reproduction color in printcalled CMYK. The CMYK process creates the color spectrum using cyanmagenta, yellow, and black.


magic lantern

precursor to the modern slide projector, an optical instrument having either a way to use sunlight or a candle (and later an oil lamp, "oxy-hydrogen limelight," or "arclight") and a lens through which an image painted or printed on aglass plate was projected and enlarged. Early in the 15th century an Italian named Giovanni de Fontanadescribed a lantern to which a picture was attached in such a way that it would project the picture onto a wall. The first magic lanterns to employ lenses were developed in the mid-17th century. Historians disagree about who was the first to invent the device. It appears to have been the product of a number of small improvements. By the early 19th century numerous itinerant projectionists traveled around Europe with magic lanterns and collections of slides, putting on shows wherever they could draw a paying audience. Multiple projectors allowed for the dissolving of one image into another. Some slides boasted special effects. Some had extra layers that could be moved across each other. One of these, very popular with children, was see thumbnail to leftThe Rat-Swallower. One rat after another could be made to appear to jump into the open mouth of a sleeping man! A narrativesequence could be presented, such as the one created in England about 1812 to tell the story a battle between a British warship and a French one. A narrator told the audience how it happened while the pictures were projected, ending on an image of the French ship in flames. (Remind you of the 2003 movie Master and Commander?) In the middle of the 19th century, with the invention of photography and the availability of magic lanterns for use in one's home, the number of magic lantern slides produced increased tremendously. Commercially available sets of slides often featured photographs of famous places and celebrities, or actors performing allegories. The popularity of magic lanterns ended with the invention of cinematography at the end of the 19th century.

Magic Realism Painting(1943-1950s):

 This term refers to the genre in which artists depicted extreme realism in the most ordinary subject matter. Also, magic realism is often associated with the Post-Expressionist movement.

Make An Offer (MAO)

The Make An Offer feature allows a Seller to receive price-based offers from buyers, which can be accepted at the discretion of the Seller. This feature is only available for Purchase Now listings, and once a Buyer's Offer has been accepted by the Seller, the listing ends. Each offer is binding, just like a bid, and good for 48 hours. When an Offer is accepted, all remaining buyers are automatically declined by the Make an Offer system.

Mannerism (1520-1600)

 painting, prints, works on paper. Mannerism refers to the style developed during the 16th Century, characterized by its focus on space and light, dramatic use of color and distorted space and perspective. It began around the end of the High Renaissance and lasted until the arrival of Baroque in 1600

Mannerist

Mannerist art can be identified by elongated forms, unusual colors and lighting, and irrational spatial relationships.

Marking

Markings are any kind of notation done by the artist on a work of art.