Fine Art Glossary
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C-PrintDeveloped in 1930, the c-print is the most universal type of color photograph, created using at least three emulsion layers of light sensitive silver salts. Each layer is sensitized to a specific primary color. As a result, each layer records different information for the color make up of an image. |
CalligraphyCalligraphy: a distinctive style of artistic handwriting created by using special pen nibs that allow a calligrapher to vary the thickness of a letter's line elements; an elegant, decorative writing, developed to an art form itself, used to enhance the artistic appeal and visual beauty of handwritten papers and manuscripts. |
CalotypeA calotype is a photomechanical method for reproducing photographic images. While it is no longer practiced as a commercial process, it was considered the height of fine art photography beginning in the 1970s. |
CanvasCanvas: a heavy, closely woven fabric; an oil painting on canvas fabric; the support used for an acrylic or oil painting that is typically made of linen or cotton, stretched very tightly and tacked onto a wooden frame. Linen is considered far superior to the heavy cotton for a canvas. |
Canvas Re-stretchedWhen the original canvas of a painting has been tightened on its original stretchers, or taken off of its original stretchers and placed on new ones.
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Canvas Relined When the original canvas of a painting has been damaged or weakened, the piece is removed from its stretchers, backed in linen or canvas, and placed on its original stretchers or on new ones.
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Carbon PrintFirst produced in 1864 by Joseph Wilson Swan, a carbon print is a photographic print created by immersing a carbon tissue in a solution of potassium bichromate, carbon, gelatin and a coloring agent. |
Center of interestCenter of interest: an emphasized are of the composition |
CeramicsCeramics: the art of making objects of clay and firing them in a kiln. Wares of earthenware and porcelain, as well as sculpture are made by ceramists. Enamel is also a ceramic technique. Ceramic materials may be decorated with slip, engobe, or glaze, applied by a number of techniques, including resist, mishima, and sanggam. Pots made can be made by the coil, slab, some other manual technique, or on a potter's wheel. |
Chalk pastelsThe most widely used form of pastel, soft chalk pastels are brightly-colored and easily blended. |